This class will\nprovi de resources for students to move through the (speeded-up) process of\nima gining and executing a short story. From autobiographical anecdote to\nstu rdy first draft\, the hints and strategies of making fiction from life\nwi ll be our ambition. This workshop is open to intermediate to advanced\nfic tion writers. Manuscript required 2 weeks in advance of class\, up to\n2 0 pages\, 12 pt font.
Nelson\, a professor of creative writing at t he\nUniversity of Houston\, is known primarily as a short story writer but has\nalso published four novels: Talking in Bed\, Living to\ nTell\, Nobody’s Girl and Bound. In 1999\, Th e\nNew Yorker selected her as one of the “twenty best young fiction \nwriters in America today.”
Registration deadline: Mon\, June 3< /p>\n
This class will\nprovide resources for students to move through the (speeded-up ) process of\nimagining and executing a short story. From autobiographical anecdote to\nsturdy first draft\, the hints and strategies of making fict ion from life\nwill be our ambition. This workshop is open to intermediate to advanced\nfiction writers. Manuscript required 2 weeks in advance of class\, up to\n20 pages\, 12 pt font.
Nelson\, a professor of crea tive writing at the\nUniversity of Houston\, is known primarily as a short story writer but has\nalso published four novels: Talking in Bed \, Living to\nTell\, Nobody’s Girl and Bound. In 1999\, The\nNew Yorker selected her as one of the “twenty b est young fiction\nwriters in America today.”
Registration deadli ne: Mon\, June 3
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“How to Create\nKill er Images” is a workshop that seeks to reinvigorate your capacity for\nc reativity. We will concentrate on techniques that improve the overall\npho tographic process\, from concept to output. In this high-energy workshop\, \nwe spend the majority of our time chasing the extraordinary Sun Valley\n light through dramatic\, ever-varied landscapes\, from sunrise to sunset.\ nEach photographer learns how to create what they see in their mind’s ey e\,\nlearning how to see the subject matter that you might otherwise\nover look.
Seth has had a prolific career in photography spanning\neduca tion\, fine art\, editorial\, stock and commercial work\, and\nentrepreneu rial contributions to the education of digital workflow through\nD-65 onli ne. A list of his clients includes companies ranging from Apple to\nIBM\, Forbes to Time Warner. Learn more about Seth’s career and work at www.sethresnick.com.
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“Ho w to Create\nKiller Images” is a workshop that seeks to reinvigorate you r capacity for\ncreativity. We will concentrate on techniques that improve the overall\nphotographic process\, from concept to output. In this high- energy workshop\,\nwe spend the majority of our time chasing the extraordi nary Sun Valley\nlight through dramatic\, ever-varied landscapes\, from su nrise to sunset.\nEach photographer learns how to create what they see in their mind’s eye\,\nlearning how to see the subject matter that you migh t otherwise\noverlook.
Seth has had a prolific career in photograph y spanning\neducation\, fine art\, editorial\, stock and commercial work\, and\nentrepreneurial contributions to the education of digital workflow t hrough\nD-65 online. A list of his clients includes companies ranging from Apple to\nIBM\, Forbes to Time Warner. Learn more about Seth’s career a nd work at www.sethresnick.com .
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Seth Resnick will\ntal k about contemporary photography and his prolific career\, including his\n contributions to digital workflow through D-65 online. For more on Seth\nv isit www.sethresnick.com
\nSeth Resnick will\ntalk about contemporary photography and his prolific career\ , including his\ncontributions to digital workflow through D-65 online. Fo r more on Seth\nvisit www.sethresnic k.com
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