Please join us at\nthe The Sun Valley Center for the Arts’ current exhibition at The Center\ni n Hailey: Behind the Seen: Theatrical Design at Company of Fools. \nStroll through the exhibition while enjoying a glass of wine and then at \n6:10 join us for a discussion on design with Fools’ theatrical designe rs\nJohn Glenn\, Joe Lavigne and Dennis Rexroad. Behind the Seen\ nexplores the pivotal role of design in Company of Fools productions.\nFea turing examples from 17 years of plays\, the exhibition provides a\nbackst age view into the way designers use sound\, lighting\, costuming\, props\n and set design to transform the space of the stage. Visitors will follow\n the design process from sketches and models to fully-realized performances \ncaptured in Kirsten Shultz’s production photographs. The Center in\nHa iley\, where exhibitions feature work by local and regional artists\, is\n located at 314 Second Avenue South. Exhibition is on view Thursdays from 2 \nto 5pm now through November 21.
Pleas e join us at\nthe The Sun Valley Center for the Arts’ current exhibition at The Center\nin Hailey: Behind the Seen: Theatrical Design at Compa ny of Fools.\nStroll through the exhibition while enjoying a glass of wine and then at\n6:10 join us for a discussion on design with Fools’ t heatrical designers\nJohn Glenn\, Joe Lavigne and Dennis Rexroad. Behi nd the Seen\nexplores the pivotal role of design in Company of Fools productions.\nFeaturing examples from 17 years of plays\, the exhibition p rovides a\nbackstage view into the way designers use sound\, lighting\, co stuming\, props\nand set design to transform the space of the stage. Visit ors will follow\nthe design process from sketches and models to fully-real ized performances\ncaptured in Kirsten Shultz’s production photographs. The Center in\nHailey\, where exhibitions feature work by local and region al artists\, is\nlocated at 314 Second Avenue South. Exhibition is on view Thursdays from 2\nto 5pm now through November 21.
Inspired by the\nmulti disciplinary project Stories of a Changing China\, young artists will\nexp lore the traditional process of paper cutting or jianzhi. Students will\nw alk away with one of a kind creations. This class is geared towards middle \nschool and high school students.
Thank you to The Works of Grace\ nFoundation for their sponsorship towards this class.
Inspi red by the\nmultidisciplinary project Stories of a Changing China\, young artists will\nexplore the traditional process of paper cutting or jianzhi. Students will\nwalk away with one of a kind creations. This class is gear ed towards middle\nschool and high school students.
Thank you to Th e Works of Grace\nFoundation for their sponsorship towards this class.
This class will\nexplo re the design process for creating a set on a theatre stage. By using\nthe play The Glass Menagerie by Tennessee Williams as the basis\, students\nw ill explore through visual research\, script analysis and imagination\, th e\nprocess of scenic design culminating in the creation of either a set mo del\nor rendering of their concept.
This process will examine diffe rent\ntypes of theatre spaces\, the use of research and the role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show how theatre is a c ollaborative\nart form.
This is a 4-part class which be held Tues & amp\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
This class will\nexplore the design process for creating a set on a theatre sta ge. By using\nthe play The Glass Menagerie by Tennessee Williams as the ba sis\, students\nwill explore through visual research\, script analysis and imagination\, the\nprocess of scenic design culminating in the creation o f either a set model\nor rendering of their concept.
This process w ill examine different\ntypes of theatre spaces\, the use of research and t he role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show h ow theatre is a collaborative\nart form.
This is a 4-part class whi ch be held Tues &\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
This class will\nexplo re the design process for creating a set on a theatre stage. By using\nthe play The Glass Menagerie by Tennessee Williams as the basis\, students\nw ill explore through visual research\, script analysis and imagination\, th e\nprocess of scenic design culminating in the creation of either a set mo del\nor rendering of their concept.
This process will examine diffe rent\ntypes of theatre spaces\, the use of research and the role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show how theatre is a c ollaborative\nart form.
This is a 4-part class which be held Tues & amp\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
This class will\nexplore the design process for creating a set on a theatre sta ge. By using\nthe play The Glass Menagerie by Tennessee Williams as the ba sis\, students\nwill explore through visual research\, script analysis and imagination\, the\nprocess of scenic design culminating in the creation o f either a set model\nor rendering of their concept.
This process w ill examine different\ntypes of theatre spaces\, the use of research and t he role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show h ow theatre is a collaborative\nart form.
This is a 4-part class whi ch be held Tues &\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
San Bao is a young man left behind by\nBeijing’s fabulous new wealth\, havin g just lost his job\, his apartment\nand the woman he loves (who’s left him for a richer man). Even Happiness\,\nhis dog\, has run away from him. Lovelorn\, self-destructive and desperately\naimless\, San Bao nevertheles s has moments of euphoria amid his own despair\,\nas he roams the sleek\, shifting city with other soulful\, cash-poor dreamers\nand misfits. Such h eavenly losers form the vital spirit of Beijing in\nacclaimed director Zha ng Yuan’s gorgeously gritty\, angst-ridden portrait\nof youthful disaffe ction and perseverance in the teeth of heartbreak\,\nruthless inequality a nd unfeeling ambition.
Director\nZhang Yua n was born in Nanjing\, China in\n1963. He studied cinem atography at the Beijing Film Academy and began\ndirecting feature films i n 1980. In 1994\, TIME Magazine selected\nhim as one of the 100 Y oung Leaders of the Next Century. A leading\nfilmmaker of China's Sixth Ge neration\, his second feature\, Beijing\nBastards\, received a Sp ecial Mention by the Official Jury at the\nLocarno Film Festival in 1993\, and his fourth feature\, Sons\, won\nthe Tiger Award at the Inte rnational Film Festival Rotterdam in 1996.\nBeijing Flickers is h is eleventh feature film.
This film\ndeals with difficult subjects - we do not recommend this for those under\n17.
San Bao is a young man left behind by\nBeijing’s fabulous n ew wealth\, having just lost his job\, his apartment\nand the woman he lov es (who’s left him for a richer man). Even Happiness\,\nhis dog\, has ru n away from him. Lovelorn\, self-destructive and desperately\naimless\, Sa n Bao nevertheless has moments of euphoria amid his own despair\,\nas he r oams the sleek\, shifting city with other soulful\, cash-poor dreamers\nan d misfits. Such heavenly losers form the vital spirit of Beijing in\naccla imed director Zhang Yuan’s gorgeously gritty\, angst-ridden portrait\nof youthful disaffection and perseverance in the teeth of heartbreak\,\nruth less inequality and unfeeling ambition.
Director\n Zhang Yuan was born in Nanjing\, China in\n1963. He studied cinematography at the Beijing Film Academy and began\ndirectin g feature films in 1980. In 1994\, TIME Magazine selected\nhim as one of the 100 Young Leaders of the Next Century. A leading\nfilmmaker of China's Sixth Generation\, his second feature\, Beijing\nBastards\, received a Special Mention by the Official Jury at the\nLocarno Film F estival in 1993\, and his fourth feature\, Sons\, won\nthe Tiger Award at the International Film Festival Rotterdam in 1996.\nBeijing F lickers is his eleventh feature film.
This film\ndeals with di fficult subjects - we do not recommend this for those under\n17.
Families will\nhave th e opportunity at 3pm and 4pm to tour the exhibition with Center\nstaff. On ce families have toured the gallery\, they will then create\ntraditional p aper lanterns.
Famil ies will\nhave the opportunity at 3pm and 4pm to tour the exhibition with Center\nstaff. Once families have toured the gallery\, they will then crea te\ntraditional paper lanterns.
Featuring six\nvirtuos o guitarists from four countries (Japan\, Canada\, Belgium\, and US)\,\nCa lifornia Guitar Trio (CGT) and Montreal Guitar Trio (MG3) fuse over 40\nye ars of combined performing experience into one unique six-by-6-string\n‘ phenomensemble’.
In a pleasantly surprising way\, CGT’s steel\n
stringed-guitars blend naturally with MG3’s nylon-stringed guitars\, as\
neach trios fret boards chase the others’ original compositions and new\
narrangements of progressive rock\, world\, jazz and classical music. Insp
ired\nin 2009 by an impromptu studio session together in Montreal\, CGT an
d MG3\nhave proceeded to release a live recording (2011)\, land showcases
at\nnumerous arts presenter conferences\, and sustain frequent co-bill tou
ring\nthroughout North America\; from the Iridium in New York City\, to Mo
ntreal\nJazz Festival (twice)\, to Napa Valley Opera House\, and ever-incr
easing
points in between.
Featu ring six\nvirtuoso guitarists from four countries (Japan\, Canada\, Belgiu m\, and US)\,\nCalifornia Guitar Trio (CGT) and Montreal Guitar Trio (MG3) fuse over 40\nyears of combined performing experience into one unique six -by-6-string\n‘phenomensemble’.
In a pleasantly surprising way\
, CGT’s steel\nstringed-guitars blend naturally with MG3’s nylon-strin
ged guitars\, as\neach trios fret boards chase the others’ original comp
ositions and new\narrangements of progressive rock\, world\, jazz and clas
sical music. Inspired\nin 2009 by an impromptu studio session together in
Montreal\, CGT and MG3\nhave proceeded to release a live recording (2011)\
, land showcases at\nnumerous arts presenter conferences\, and sustain fre
quent co-bill touring\nthroughout North America\; from the Iridium in New
York City\, to Montreal\nJazz Festival (twice)\, to Napa Valley Opera Hous
e\, and ever-increasing
points in between.
This class will\nexplo re the design process for creating a set on a theatre stage. By using\nthe play The Glass Menagerie by Tennessee Williams as the basis\, students\nw ill explore through visual research\, script analysis and imagination\, th e\nprocess of scenic design culminating in the creation of either a set mo del\nor rendering of their concept.
This process will examine diffe rent\ntypes of theatre spaces\, the use of research and the role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show how theatre is a c ollaborative\nart form.
This is a 4-part class which be held Tues & amp\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
This class will\nexplore the design process for creating a set on a theatre sta ge. By using\nthe play The Glass Menagerie by Tennessee Williams as the ba sis\, students\nwill explore through visual research\, script analysis and imagination\, the\nprocess of scenic design culminating in the creation o f either a set model\nor rendering of their concept.
This process w ill examine different\ntypes of theatre spaces\, the use of research and t he role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show h ow theatre is a collaborative\nart form.
This is a 4-part class whi ch be held Tues &\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
This class will\nexplo re the design process for creating a set on a theatre stage. By using\nthe play The Glass Menagerie by Tennessee Williams as the basis\, students\nw ill explore through visual research\, script analysis and imagination\, th e\nprocess of scenic design culminating in the creation of either a set mo del\nor rendering of their concept.
This process will examine diffe rent\ntypes of theatre spaces\, the use of research and the role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show how theatre is a c ollaborative\nart form.
This is a 4-part class which be held Tues & amp\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
This class will\nexplore the design process for creating a set on a theatre sta ge. By using\nthe play The Glass Menagerie by Tennessee Williams as the ba sis\, students\nwill explore through visual research\, script analysis and imagination\, the\nprocess of scenic design culminating in the creation o f either a set model\nor rendering of their concept.
This process w ill examine different\ntypes of theatre spaces\, the use of research and t he role that the designer\nhas in helping to create the world of the play. Discussions with a director\nwill help steer the students and also show h ow theatre is a collaborative\nart form.
This is a 4-part class whi ch be held Tues &\; Thurs\, Nov\n5\, 7\, 12 &\; 14\, from 6-8pm.
Art critic\nBarbara Po llack has written that “China has changed more over the past 20\nyears t han most countries did in the entire 20th century.” In\nthis exhibition both Chinese and Western artists respond to the economic\nand c ultural changes taking place in China today. Enjoy a glass of wine as\nyou tour the exhibition with The Center’s curators and gallery guides.\n < /p>
Art c ritic\nBarbara Pollack has written that “China has changed more over the past 20\nyears than most countries did in the entire 20th cent ury.” In\nthis exhibition both Chinese and Western artists respond to th e economic\nand cultural changes taking place in China today. Enjoy a glas s of wine as\nyou tour the exhibition with The Center’s curators and gal lery guides.\n
HERB &\;\nDOROTHY t ells the extraordinary story of Herbert Vogel\, a postal clerk\, and\nDoro thy Vogel\, a librarian\, who managed to build one of the most important\n contemporary art collections in history with very modest means.
\nAf ter thirty years of meticulous collecting and buying\, the Vogels\nmanaged to accumulate over 2\,000 pieces\, filling every corner of their tiny\non e bedroom apartment. \"Not even a toothpick could be squeezed into the\nap artment\,\" recalls Dorothy. In 1992\, the Vogels decided to move their\ne ntire collection to the National Gallery of Art in Washington\, DC. The\nv ast majority of their collection was given as a gift to the institution.\n Many of the works they acquired appreciated so significantly over the year s\nthat their collection today is worth millions of dollars.
\n
HERB &\;\nDOROTHY tells the extraordinary story of Herbert Vogel\, a postal clerk\, and\nDorothy Vogel\, a librarian\, who managed to build one of the most important\ncontemporary art collections in history with very modest means.
\nAfter thirty years of meticulous collecting and buying\, th e Vogels\nmanaged to accumulate over 2\,000 pieces\, filling every corner of their tiny\none bedroom apartment. \"Not even a toothpick could be sque ezed into the\napartment\,\" recalls Dorothy. In 1992\, the Vogels decided to move their\nentire collection to the National Gallery of Art in Washin gton\, DC. The\nvast majority of their collection was given as a gift to t he institution.\nMany of the works they acquired appreciated so significan tly over the years\nthat their collection today is worth millions of dolla rs.
\n
Start your\nGallery Wa lk at the Center! Each year Sun Valley Gallery Association hosts\nnine gal lery walks (exhibition openings for all SVGA galleries)\, which are\neager ly anticipated and free to the public. Locals and visitors alike take\nin thought-provoking exhibitions of newly installed art\, enjoy wine\, mingle \nwith friends\, and often meet the artists.
Start your\nGallery Walk at the Center! Each year Sun Valley Gallery Associatio n hosts\nnine gallery walks (exhibition openings for all SVGA galleries)\, which are\neagerly anticipated and free to the public. Locals and visitor s alike take\nin thought-provoking exhibitions of newly installed art\, en joy wine\, mingle\nwith friends\, and often meet the artists.