Join us and enjoy\na g lass of wine as you tour the exhibition with The Center’s curators and\n gallery guides. This project investigates recent scientific discoveries an d\ncelebrates the brain’s wonder and mystery. We will investigate this B IG\nIDEA through lectures\, films\, brown bag lunches and small format cla sses to\nexamine the brain\, how it works and how we care for it. Part of The\nCenter’s BIG IDEA multidisciplinary project The Brain.\nEx hibition on view Feb 6-Apr 17\, 2015 at The Center in Ketchum. Free and\no pen to the public.
Join us and enjoy\na glass of wine as you tour the exhibition with The Center ’s curators and\ngallery guides. This project investigates recent scient ific discoveries and\ncelebrates the brain’s wonder and mystery. We will investigate this BIG\nIDEA through lectures\, films\, brown bag lunches a nd small format classes to\nexamine the brain\, how it works and how we ca re for it. Part of The\nCenter’s BIG IDEA multidisciplinary project The Brain.\nExhibition on view Feb 6-Apr 17\, 2015 at The Center in K etchum. Free and\nopen to the public.
Directed by Ken\nBurns \, the film tells the story of a tiny school in Putney\, Vermont\, where\n each year students are encouraged to practice\, memorize and recite the\nG ettysburg Address.
Direc ted by Ken\nBurns\, the film tells the story of a tiny school in Putney\, Vermont\, where\neach year students are encouraged to practice\, memorize and recite the\nGettysburg Address.
Start your\nGallery Wa lk at the Center! Each year Sun Valley Gallery Association hosts\nnine gal lery walks (exhibition openings for all SVGA galleries)\, which are\neager ly anticipated and free to the public. Locals and visitors alike take\nin thought-provoking exhibitions of newly installed art\, enjoy wine\, mingle \nwith friends\, and often meet the artists.
Start your\nGallery Walk at the Center! Each year Sun Valley Gallery Associatio n hosts\nnine gallery walks (exhibition openings for all SVGA galleries)\, which are\neagerly anticipated and free to the public. Locals and visitor s alike take\nin thought-provoking exhibitions of newly installed art\, en joy wine\, mingle\nwith friends\, and often meet the artists.
Sun Valley Center\nfor the Arts and Lee Pesky Learning Center invite you to experience The\nBrai n exhibition with all of your senses! This hands-on museum experience\nwil l stimulate your brain and have you connecting with art in new and\nexciti ng ways!
Sun V alley Center\nfor the Arts and Lee Pesky Learning Center invite you to exp erience The\nBrain exhibition with all of your senses! This hands-on museu m experience\nwill stimulate your brain and have you connecting with art i n new and\nexciting ways!
In anticipation\nof th e August 2015 valley-wide tour of artist studios\, the Sun Valley\nCenter for the Arts and the Wood River Valley Studio Tour invite working\nartists to attend the 2015 ARTIST EDUCATION SERIES.
What is public\nart an
d how is it different than creating work for a gallery or commercial\ncont
ext? How can artists transition into public art by working with\nfabricato
rs\, collaborating with other artists\, or thinking differently\nabout wha
t they design? Karen Bubb\, who teaches \"Public Art Academy\" in\nBoise a
nd is a member of a national board for public art\, will provide an\noverv
iew of the current public art field and specific tips on applying for\npro
jects. Artists who are interested in \"breaking in\" to the public art\nfi
eld are encouraged to attend. Citizens interested in art in public places\
nare also welcome.
Karen Bubb holds a Masters in Public\nAdministrat
ion\, a Graduate Certificate in Community &\; Regional\nPlanning\, Bois
e State University and a Bachelor of Fine Arts\, University of\nOregon. Ka
ren Bubb is Public Arts Manager for the Boise City Department of\nArts &am
p\; History and Capital City Development Corporation (Boise’s\ndowntown
redevelopment agency). She is also an Affiliate for Boise State\nUniversit
y’s (BSU) Centre for Creativity and Innovation in the College of\nBusine
ss and Economics.
Bubb consults and provides workshops\nstatewide f or municipalities and arts organizations regarding public art\,\ncreativit y and cultural policy and is an adjunct professor at BSU. Bubb is\nalso an active visual artist. She works in many mediums including stained\nglass\ , hand-built ceramics\, encaustic painting\, printmaking and\ncollage.
For more information on the studio tour\, visit www.wrvstudiotour.com.
In an ticipation\nof the August 2015 valley-wide tour of artist studios\, the Su n Valley\nCenter for the Arts and the Wood River Valley Studio Tour invite working\nartists to attend the 2015 ARTIST EDUCATION SERIES.
What
is public\nart and how is it different than creating work for a gallery or
commercial\ncontext? How can artists transition into public art by workin
g with\nfabricators\, collaborating with other artists\, or thinking diffe
rently\nabout what they design? Karen Bubb\, who teaches \"Public Art Acad
emy\" in\nBoise and is a member of a national board for public art\, will
provide an\noverview of the current public art field and specific tips on
applying for\nprojects. Artists who are interested in \"breaking in\" to t
he public art\nfield are encouraged to attend. Citizens interested in art
in public places\nare also welcome.
Karen Bubb holds a Masters in Pu
blic\nAdministration\, a Graduate Certificate in Community &\; Regional
\nPlanning\, Boise State University and a Bachelor of Fine Arts\, Universi
ty of\nOregon. Karen Bubb is Public Arts Manager for the Boise City Depart
ment of\nArts &\; History and Capital City Development Corporation (Boi
se’s\ndowntown redevelopment agency). She is also an Affiliate for Boise
State\nUniversity’s (BSU) Centre for Creativity and Innovation in the C
ollege of\nBusiness and Economics.
Bubb consults and provides works hops\nstatewide for municipalities and arts organizations regarding public art\,\ncreativity and cultural policy and is an adjunct professor at BSU. Bubb is\nalso an active visual artist. She works in many mediums includin g stained\nglass\, hand-built ceramics\, encaustic painting\, printmaking and\ncollage.
For more information on the studio tour\, visit www.wrvstudiotour.com.
Through play and\nshif ting perspectives\, participants will gain an understanding of the\ncreati ve process\, movement\, choreography and developing an artistic work. \nP articipants are invited to bring their own found objects.
Brian\nSa nders’ JUNK is known for their ingenious use of found objects and\ncleve r inventions that bridge the gap between dance and physical theater.\nSand ers’ choreography blends traditional dance theater with an\ninventivenes s and physicality that gives reason for critics to hail JUNK as\n“Philly ’s most imaginative perpetrator of dare-devilish physical\ntheater” an d declare Sanders as “the city’s most exciting\nchoreographer.”
Throu gh play and\nshifting perspectives\, participants will gain an understandi ng of the\ncreative process\, movement\, choreography and developing an ar tistic work. \nParticipants are invited to bring their own found objects.
Brian\nSanders’ JUNK is known for their ingenious use of found o bjects and\nclever inventions that bridge the gap between dance and physic al theater.\nSanders’ choreography blends traditional dance theater with an\ninventiveness and physicality that gives reason for critics to hail J UNK as\n“Philly’s most imaginative perpetrator of dare-devilish physic al\ntheater” and declare Sanders as “the city’s most exciting\nchore ographer.”
Brian Sanders’\nJUNK is known for their ingenious use of found objects and clever\ninventions that bridge the gap between dance and physical theater.\nSanders’ choreo graphy blends traditional dance theater with an\ninventiveness and physica lity that gives reason for critics to hail JUNK as\n“Philly’s most ima ginative perpetrator of dare-devilish physical\ntheater” and declare San ders as “the city’s most exciting\nchoreographer.”
JUNK's mis sion as a dance-theater company is to\ninspire with creativity. The compan y strives to produce work that is both\nartistic and accessible while main taining a ceaseless desire to try new\nthings. JUNK will teach a master cl ass while in the Wood River Valley.
\nPart of The Center's 2014- 2015 Winter Performing Arts\nSeries.
2014-2015 Perform
ing Arts Series
\nPortland Cello Project\, October 25\, 2014
Blues musician Guy Davis\,\nDecember 12\, 2014
Bill Payne\, c
o-founder of Little Feat\, January 30\,\n2015
Brian Sanders' JUNK -
dance company\, March 19\, 2015
TorQ\nPercussion Quartet\, April 18\
, 2015
Performing Arts Ticket\nPackages
•
Performing Arts Series:\n$112.50 for all 5 performances • Performing Arts Mini\nSeries: $67.50 (January to
March only: includes Bill Payne\, JUNK\,\nand TorQ)
Brian Sanders’\nJUNK is known for their ingenious use of found objects and cl ever\ninventions that bridge the gap between dance and physical theater.\n Sanders’ choreography blends traditional dance theater with an\ninventiv eness and physicality that gives reason for critics to hail JUNK as\n“Ph illy’s most imaginative perpetrator of dare-devilish physical\ntheater ” and declare Sanders as “the city’s most exciting\nchoreographer. ”
JUNK's mission as a dance-theater company is to\ninspire with c reativity. The company strives to produce work that is both\nartistic and accessible while maintaining a ceaseless desire to try new\nthings. JUNK w ill teach a master class while in the Wood River Valley.
\nPart of The Center's 2014-2015 Winter Performing Arts\nSeries.
2014-2015 Performing Arts Series
\nPortland Cello Projec
t\, October 25\, 2014
Blues musician Guy Davis\,\nDecember 12\, 2014
Bill Payne\, co-founder of Little Feat\, January 30\,\n2015
B
rian Sanders' JUNK - dance company\, March 19\, 2015
TorQ\nPercussio
n Quartet\, April 18\, 2015
Performing Arts Ticket\nPackage
s
• Performing Arts Series:\n$112.50 for
all 5 performances
• Performing Arts Mini\nSerie
s: $67.50 (January to March only: includes Bill Payne\, JUNK\,\nand TorQ)<
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Young artists\nwill be introduced to a variety of art media including drawing\, painting\,\nscul pture and mixed media. Each student will come home with new skills\,\npers onalized artwork and great memories. “Make your mark and see where it\nt akes you!”-Peter Reynolds
This class takes place Monday-Friday\,\ nMarch 23-27\, 1pm-4pm at The Center\, Hailey. For 1st-3rd graders only.
\nThis class is also available Monday-Friday\, March 23-27\, from 9am -12pm\nat The Center\, Hailey. For 1st-3rd graders only.
We reg ret to\nannounce that this class has been cancelled. We apologize for any\ ninconvenience.
Young artists\nwill be introduced to a variety of art media including drawing\, painting\,\nsculpture and mixed media. Each student will come home with n ew skills\,\npersonalized artwork and great memories. “Make your mark an d see where it\ntakes you!”-Peter Reynolds
This class takes place Monday-Friday\,\nMarch 23-27\, 1pm-4pm at The Center\, Hailey. For 1st-3r d graders only.
\nThis class is also available Monday-Friday\, March 23-27\, from 9am-12pm\nat The Center\, Hailey. For 1st-3rd graders only.< /p>
We regret to\nannounce that this class has been cancelled. We a pologize for any\ninconvenience.
One of the most\niconi c structures ever built\, Barcelona's La Sagrada Familia is a unique\nand fascinating architectural project conceived by Antoni Gaudi in the late\n1 9th century. More than 125 years after construction began\, the basilica\n still remains unfinished. Sagrada: The Mystery of Creation celebrates\nGau di's vision and the continuing work of architects as they strive to\ncompl ete the colossal project while delving into the process of artistic\ncreat ion in a historical context.
One o f the most\niconic structures ever built\, Barcelona's La Sagrada Familia is a unique\nand fascinating architectural project conceived by Antoni Gau di in the late\n19th century. More than 125 years after construction began \, the basilica\nstill remains unfinished. Sagrada: The Mystery of Creatio n celebrates\nGaudi's vision and the continuing work of architects as they strive to\ncomplete the colossal project while delving into the process o f artistic\ncreation in a historical context.